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Grateful Dead Live at The Hippodrome on 1981-10-17




Set 1

Shakedown Street-> Minglewood Blues, Candyman, Me & My Uncle-> Big River, Althea-> Little Red Rooster, Brown Eyed Women-> Looks Like Rain, Don't Ease Me In

Set 2

Truckin'-> Bird Song-> Good Time Blues-> Estimated Prophet-> Eyes Of The World-> Drums-> Not Fade Away-> Morning Dew-> Around & Around-> One More Saturday Night, E: U.S. Blues


Collection GratefulDead
Band/Artist Grateful Dead
Venue The Hippodrome
Location Paris, France

Source SBD -> Cassette Master (Sony TC-D5M/TDK MA-C90)
Lineage Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->Samplitude Professional v11.03 -> FLAC/16
Transferred by Charlie Miller

Notes

Notes:
-- Set 2 is seamless
-- Thanks to Joe B. Jones for his help pitch correcting the patch sources

Reviews

Reviewer: Chris29 - - December 15, 2011
Subject: Paris en octobre
Excellent enregistrement par Charlie Miller, comme d'habitude! Merci beaucoup!

L'air de Paris a bien réussi au Grateful Dead qui délivre ici un très bon concert. J'aime l'orgue Hammond de Brent Mydland sur Never Trust A Woman
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Grateful Dead
by Grateful Dead
884
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Source: Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris
Grateful Dead
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Source: source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
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Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
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by Grateful Dead
227
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Source: AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90s, with no Dolby. Set up to the right (stage left) of the SBD.
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Source: nak 300 mics > sony d-6 > mac
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Source: Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
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Source: Set 1 Source: Schoeps CMC4/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB;
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523
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Source: Source:Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-WE325 Home Cassette Deck(Playback)>Harmon Kardon CDR 20 Home Burner>CDR>EAC>Flac. Taped By Boeditaper
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459
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Source: Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII 90)
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( 1 reviews )
Source: Master Audience Recorded By Mr. Darby; AKGC460B/A60/CK1's (PAS/DFC/First Row OTS/6 Feet High)> Uher340>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo